Wednesday, March 18, 2009

Begun the SXSW has

So, I'm on spring break.  I don't technically get this week off, but I could probably have not shown up to work for the last two days and gone unnoticed.  Case in point: I had to take down the building's network for a little over an hour yesterday, and my administrator forgot to send out the email; I got one phone call about the outage.  During this time nobody in the building could print, use their email, surf the web, etc.  You would think this would be a great time for extracurricular activity, but in truth having nothing to do at work turns my mind to mush so that the only thing I can do is indulge in some newfound guilty musical pleasures* and watch Flight of the Conchords online.

Yesterday was not only St. Patrick's day but also an old friend's birthday, so I met him and several others at the Draught House pub for good times.  By "several others" I mean that there was a line out the door snaking through the parking lot** and that people in the know brought camping chairs to avoid sitting on the pavement while drinking.  It was good times, though -- I only had to wait in line for a few minutes since a friend was near the front and gave me cut-sies.  Booyah!  Take that, civility!

Spring break is an awesome time to be in Austin, mostly due to SXSW.  For the first few days -- during the film and "interactive" portion of the festival -- the town is flooded with fat, ponytailed computer dudes and thin, ponytailed movie dudes.  After that wave the ironically-ponytailed music dudes and sideponied scenester dudettes from all over the world take over the city with a million SXSW-sanctioned shows, free corporate-sponsored RSVP parties, non-sanctioned house parties, panel discussions, label showcases, etc.  It's also apparently a really great time to release massive clouds of pollen if you are an oak tree.

I'm taking the next couple days off work to hang out with some out-of-town friends staying with us and try to catch some new music.  The conversational go-to around Austin during this whole month is "so what are you going to see during SXSW?"***  I honestly have no idea what I'm going to see; other than a day party tomorrow and a showcase that night, I have nothing planned -- but the best times at SXSW are usually the ones that come up at the last minute.

* As far as guilty pleasures go, I could do a lot worse than Yelle, but I have also found some good stuff lately.

** For people in LA: in many parts of the world it is considered unusual to wait in line at a bar on a weeknight.

*** By the way, it's always pronounced "South by Southwest" and never spelled out.

Friday, March 13, 2009

Five karaoke anti-jams

The key to karaoke, as I think I mentioned before, is commitment.  It doesn't matter that your voice is bad if you know the words and you can sell your song.  However, there are certain songs that should be avoided unless you really know what you're doing.  These are they:

1. Bohemian Rhapsody (Queen); Other people would like to use the stage sometime tonight.  Also, if you're picking this song, you probably think you're being original.  You're not.  Attempt this only if: you hate humankind and want to inflict pain others.

2. Virtually any rap song; Even the worst rappers have better flow than you.  I promise.  You just don't know it because you've never rapped in front of a crowd before.  Also, you don't really know all the words to Gin and Juice, let alone City of Compton.  And there's nothing less entertaining than watching you laugh and read the lyrics off a TV.  Even your friends aren't laughing with you.  Well, except the really drunk ones and the ones who have a secret crush on you.  Actually, maybe that's a good relationship test -- if s/he laughs through your shitty rap karaoke, then s/he's still in the infatuation stage.  Hold off on any major decisions until s/he is at the "politely feigns amusement" stage.  Attempt this only if: you are a rapper.

3. Any song you don't know the words to; Arkay and I once did Whitney Houston's "I want to dance with somebody." Did you know that song has bunch of parts that aren't the part that says "I wanna dance with somebody, I wanna feel the heat with somebody?" Yeah, it does. And those parts suck.  Attempt this song only if: you are drunk and you think you know all the words to REM's "It's the End of the World As We Know It."

4. Born to be Wild (Steppenwolf); Not just for the obvious reason -- namely that beer commercials and movie trailers have turned a halfway-decent rock song into a cliché so overused that it now represents exactly the opposite of what it was originally intended to -- but also for the fact that is has a two-minute guitar solo in the middle of the song, during which you have to figure out what you're going to do with your hands. And the thing about karaoke guitar solos is that they're not the original songs, so even a good solo sucks in the karaoke version.  This rule applies to pretty much any Steppenwolf song.  Attempt this only if: it's the only song available.


5. The Friday the 13th theme.  Well, I mean, it doesn't have words.  What's the point?  I just had to say something about the fact that it's Friday the 13th.  Attempt this song only if: you are a conductor, standing in front of an orchestra.

A winner is you!

Yep, it was "Psycho Killer."  

Bonus blog points to Christie and Tyler.  Bonus laff points to Craig -- I hope he finds them helpful when he's stuck in summer school and all his friends are hanging ten or shredding the gnar-gnar or whatever the kids do these days.

Pictured, R to L: Tyler, Christie, Craig (who isn't quite sure what to do with his hands)

As for elcaballo's suggestion of "Under the Bridge" (via email, since comments weren't working at the moment) -- well, I'm not sure what to say about that.  Perhaps, like Tyler's "cheeseless pizza" comment, it is best left alone.

UPDATE: Whoa!!  I didn't actually know the name of "Tell it to my Heart" until Craig inadvertently made me look it up.  I get that melody stuck in my head all the time, so I'm really glad to know specifically which "eurodance classic" torments me day and night.

Thursday, March 12, 2009

Cleaning out the cameraphone

A softer, gentler blog entry today; these are some of the pictures accumulated on my cameraphone.*
I don't know what happens if Alia "gets you" with her terrible black arm, but I have always assumed it's really really bad.

Which is better: Dog A above (Alvin Blacktail) or ...

Dog B (Ramona)?  I don't want to make any judgements until BOTH of our rugs are fully dried out from the horrors Ramona's colon inflicted on them Tuesday night.

Speaking of abominations before the Lord, who is up for some Onan's Pizza?  I'm not sure if there is a less appetizing Biblical character to associate your foodstuffs with.

From underneath the bridge next door to my house:

"Good luck going my shit."
"Bitch I'M all over Austin."

Just for the record, I didn't write either of those things.

A small sample of the amazing inventory of an optician's office also near my house.  These frames are new old stock (meaning they're authentically from the 70's or 80's) and remarkably, they are being offered unironically as glasses people might really like to wear.  The story is that the optician ordered way, way too many frames when his shop opened and has never been able to unload the old stock.  He also sells modern frames.

And finally, check out this awesome viking logo I saw the other day.  Kind of makes you want to go back in time.

* Bonus blog points if you can identify the song referred to in this video which seems to have become an inadvertent theme of comments on my blog and Craiger's.

Monday, March 9, 2009

Top five karaoke jams

There was a time, not so long ago, when I would not have gotten on a stage in front of strangers and belted out soul classics.  That time is no more.  Now, when somebody suggests karaoke, I'm the first to agree, and also the one who makes sure we go to the kind of karaoke bar where all the patrons have to hear you sing, not just the people in your booth.  I make no boasts about being talented -- anybody who knows Jessie already knows who the undisputed ruler of all karaoke is, she being possessed of a great voice and the ability not only to dance, but to make up choreography for songs apparently on the spot.  (Either that or she spends a lot of time at home coming up with dances for Britney Spears songs.  Dave?)

Anyway, here are my top five karaoke jams.  I have not been karaokiing as much as I would like, so anybody who has been with me has heard at least one of these.

1. These Eyes (Guess Who); Although this song has the classic karaoke problem of being much longer and more repetitive than you probably remember it being, it brings tons of energy and possibly even creepy dudes pretending to play the trumpet to the dance floor.

2. I'll Be Around (The Spinners); It's all in the phrasing.  Not that I'm good at it or anything, but you have to sell it.  Sell it!  If you delivery is shitty, own the shittiness!  The singer in the linked video certainly is.  What happened to him?  It sounds like had to re-learn English after an extended coke bender.

3. Cat's in the Cradle (Harry Chapin); This is the song I've gotten the least positive reaction to, but it's really fun.  If nobody else gets it, fuck 'em.  Must be sung with maximum heartstring-pulling pathos.  Plus, the song "scares [Harry Chapin] to death," which is always a bonus.



4. Treat Her Like a Lady (Cornelius Bros. and Sister Rose); "Strange as it seems / you know you can't treat a woman mean."  Actually Mr . Cornelius, that doesn't strike as all that strange.  This one makes me wish there was karaoke for background singers.  If there was, though, "Midnight Train to Georgia" would be the best choice.

5. Twilight Time (The Platters); I've never actually done this song live, (not counting numerous family-only engagments) but it's definitely on the list for next time.  This song has everything: long coherent sentences, shitloads of metaphors, rhymed iambic pentameter -- and it does it all with such aplomb.  I look forward to slaughtering it. 

UPDATE: My brother reminded me of an infinitely better link for "These Eyes," so that has been updated.  Go ahead, click it.  Also, have you heard the Celine Dion "version" of "Treat Her Like a Lady?"  I have never liked Celine Dion even slightly, but I thought she at least had a modicum of taste and class.  Either I was very wrong or there is a wider cultural gap between the U.S. and Canada than I could ever have imagined.  This song is atrocious!  

I got nothing

So, let's see.  My dad got a dachshund puppy named Alvin.  He's cute.  I think he got him 40% for companionship and 60% for giving his granddaughters a reason to hang out at his house.  I'm cool with that.  Also, it has worked so far -- my daughters have been over there at least three times since we picked up the dog on Saturday.

Today Baby called me a bureaucrat because I said "this deaf Taiwanese girl took up a ton of my time today -- reminded me why I should never make exceptions to the rules."  In my defense, she really did take up two or three hours of my time.  Individual undergraduates who don't work for me, as a rule, should take up no more than three minutes of my day.  And even that much time is a bit taxing.

I built the top of this "bike hutch" or "bike cave" (as my older daughter calls it) thing this weekend.  I made it almost entirely (with the exception of a few metal brackets and one 1x4) out of scrap lumber from a pergola.  Do you know what a pergola is?  I didn't until I carted off the remains of one to build a hutch.  I have since discovered that most people actually do know what a pergola is.  Cost of project: $5.  Booya.

Also, losing an hour really sucks when you have kids.  Benjamin Franklin should have shut his smart mouth.  And this is funny.

UPDATE: Aw, shit.  I have 11 subscribers now.  Horseballs aren't going to cut it.  I'm usually slightly better than this, I promise.  Fucking time change, new puppy, mumble mumble mumble.  The New Yorker did a whole piece on Beyoncé a few weeks ago and I missed it because I didn't want to pay $4.95, but from what I could read in the novelty/holiday/periodical section of HEB, they did talk up her song "Apple Pie à la Mode" as a sign of Beyoncé's genius songwriting or something.  I'm listening now and I can't say I'm blown away; I'm not sure how this is any better than a TLC single.

Wednesday, March 4, 2009

Reader response, feat. face-rocking comments

I have received several great comments and questions in the last few days.  I'd like to take some time to respond.

1. Faithful reader and assprint maker Craiger would like to know the resolution of the wireless network problem I alluded to yesterday, and whether the wind is causing his own wifi network to go out.  Although I don't think there was really any problem with my wireless network at the office, I am fairly confident that your problems are caused by the wind.  Perhaps the satellites are being blown off course by large gusts.  You may want to consider tethering them better, or switching to dialup.  Or maybe reinstalling AOL.  Hope this helps!
  
2. Keen observer of the human condition Marcus points out that I look like Joaquin Phoenix in that infamous Letterman interview.  You are not the first person to note the alleged similarity; the night after that aired I was forced to put on Blu Blockers and chew gum for the amusement of my hosts at a dinner party.  Well, not forced exactly.  Actually, you could say I was kind of tipsy and I forced my hosts to watch my "hilarious" and "perfect" imitation of Mr. Phoenix.  However, I think it's just the beard and hair, and I recently trimmed by beard for a wedding, which is a bummer because with a suit on I really could have pulled off the look.

3. Style guru xieferris suggests that my wife is both radical and insane due to the intensity of her hatred towards a certain 19th century poet!  I can't help but agree, given the evidence at hand.

4. And finally, Marcus also brings up a crucial point about the nature of Jon Bon Jovi's face-rocking, suggesting several alternate readings to my own implicit interpretation of face-rocking as a musical/psychological act.  Although Nick J. ably rebuts Marcus with regard to the relevance of his concerns to the study at hand, I believe there are legitimate questions to be asked about the nature of face-rocking in general, and perhaps a detailed study of the phenomenon (or even the phrase itself) could shed light on the plausibility of JBJ's audacious claims.  However, if I am correct in reading a sexual interpretation of the phrase into Marcus' point (c) ... well, that's just a mental image I would rather not have to deal with.