My dislike for Lil Wayne is well-documented. In short, I think he's a lazy bastard with decent flow but some of the least intelligent lyrics ever recorded in a genre that celebrates quick wits. If he weren't popular I wouldn't care, but he has been lauded by cultural institutions as lofty as the fucking New Yorker as possibly the "best rapper alive." That, coupled with a recent Groupon for Lil Wayne tickets (50% off, but I contend that a better promotion would have been to offer a complimentary bottle of Robitussin with the purchase instead) leads me to believe that the soft bigotry of low expectations has somehow paid off massively for Mr. Carter, as he's been propelled all the way to the top of middle class white culture. I mean, if tickets to your shows are being hawked alongside urban beekeeping classes (which are awesome) and day spa discounts, how do you have any street cred left?
Last night I was listening to 102.3 The Beat on my way to pick up the Captain America movie from a Redbox, (how do you enable the thing where you get paid for mentioning brands on your blog?) when I heard B.o.B's "Strange Clouds." It's certainly not the first time I've heard the song, but I hadn't really paid attention to the lyrics before. First of all, I have to say it's a great song. It can't be ruined even by the requisite Lil Wayne appearance. However, it really demonstrates what I hate about Lil Wayne.
It is easily shown that Lil Wayne is far inferior to B.o.B as a rapper. The whole song is a demonstration of this fact, but the perfect example is when B.o.B says "I'm top chef, you top ramen, I'm top shelf / No last call, to the bartender, what you got left?" That's a reasonably clever lyric -- I mean, it's no "I hit her with that pipe, call that Nancy Kerrigan / Stay on the greenest greens, call us vegetarians," but they can't all be home runs. (By the way, what is a guy born in 1988 doing referring to the Tonya Harding-Nancy Kerrigan rivalry?) But when it's Lil Wayne's turn at the mic, he predictably just spits out a bunch of juvenile free-associations that ultimately add up to nothing -- followed by his own take on the previous verse, saying "I'm top dog, you top ramen, I'm top dog / Piru, gangsters, outlaws." This guy is the "feat." on this track, and he doesn't seem to understand the concept of wordplay that extends beyond the most basic of references. Another example of Wayne's work on this track: "Hello World, I'm with a yellow girl, number 2 pencil / These rappers is washed up, spin cycle, rinse you."
B.o.B has gotten plenty of airplay recently, but I say it's entirely possible this track wouldn't have gotten on the radio as it has if it weren't for the presence of this no-talent ass clown. And that's why I hate Lil Wayne: despite a lack of appreciable talent at rapping or producing, he has somehow become the kingmaker for top 40 hip-hop artists who are better than him in every way.
So, in summary, I hate Lil Wayne because he's popular. If that makes me a hipster, then just call me this guy:
Sunday, February 5, 2012
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